Force 5 Development

Discussion Requirements: Week One

Watch and compare the following films:

For both films, discuss the following:



A Comparative of BlackKklansman and 2001: A Space Odyssey

By Edmond Leaveck - Posted Aug 17, 2024

"Space is big. Really big. You just won't believe how vastly, hugely, mind-bogglingly big it is." — Douglas Adams, The Hitchhiker's Guide to the Galaxy.

When discussing 2001: A Space Odyssey, it’s almost impossible to avoid the question: Is it a “great” movie? From a technical standpoint, 2001 is often hailed as one of the greatest films ever made, meeting many of the objective criteria used by the film industry to define greatness, including groundbreaking visual effects, innovative use of sound, and a narrative structure that challenges conventional storytelling. Stanley Kubrick’s meticulous attention to detail, from the realistic depiction of space travel to the use of classical music to underscore the film’s themes, has set a high standard for science fiction and cinema as a whole. The film’s influence is undeniable, inspiring countless filmmakers and continuing to be studied for its technical brilliance and philosophical depth. However, while 2001 meets these technical definitions of greatness, I personally find it falls short of being a “great” film in my view. This opinion is less about disputing the objective standards by which the film is judged and more about a personal preference. I find the film’s deliberate grandeur, characterized by its long, drawn-out scenes and slow pacing, to be less engaging. While these elements contribute to the film’s epic and contemplative nature, they also create a viewing experience that can feel more like a visual art installation than a narrative-driven movie. The extended cut scenes, while visually stunning, often test my patience and detract from my overall enjoyment of the film. Therefore, while I acknowledge 2001 as a significant and influential work in the history of cinema, it does not resonate with me as a “great” film on a personal level.

BlackKklansman (2018), directed by Spike Lee, contrasts sharply with 2001 in both style and substance. Where 2001 is abstract and philosophical, BlackKklansman is dynamic, engaging, and rooted in direct social commentary that is immediately relevant. As a crime drama infused with satire and biographical elements, BlackKklansman addresses the persistent issue of racism in America with energy and wit. These two films offer rich material for comparison, particularly in how they fit within, and sometimes subvert, their respective genres.

Genres and Conventions

In terms of genre, BlackKklansman comfortably fits within the crime drama category, but it also blends in satire and biographical storytelling. This combination allows the film to present a serious subject matter—racism—with a mix of humor and sharp social commentary, which subverts the typical expectations of a crime drama. Meanwhile, 2001: A Space Odyssey is a quintessential science fiction film, but it diverges from the genre’s norms by focusing less on action and more on abstract, philosophical ideas. Kubrick’s choice to emphasize visual storytelling and existential themes challenges what audiences typically expect from science fiction, making 2001 a subversive entry in the genre.

Tone and Atmosphere

The emotional tone of these films varies greatly. BlackKklansman is dominated by a combination of humor and tension. The film’s use of satire allows it to address the serious and ongoing struggle against racism in a way that is both reflective and confrontational. In contrast, 2001: A Space Odyssey evokes feelings of awe and curiosity, with a tone that is more detached and reflective. The film’s focus on humanity’s place in the universe creates a contemplative and sometimes unsettling atmosphere.

Visual Style and Dialogue

Atmosphere plays a crucial role in both films. BlackKklansman alternates between light-hearted moments and intense, dramatic scenes. This shifting atmosphere enhances the film’s dynamic storytelling and keeps the viewer engaged in its exploration of social issues. 2001: A Space Odyssey creates a dreamy and mysterious atmosphere, with a mood that often feels somber and introspective. The film’s vast, empty spaces and slow pacing contribute to a sense of isolation and existential dread. Visually, the two films are distinct in their approaches. BlackKklansman employs a realistic visual style with some stylized elements, using strong contrasts to highlight themes of power and racial tension. The framing and composition in Lee’s film often emphasize the power dynamics between characters, reinforcing the film’s social commentary. On the other hand, 2001: A Space Odyssey is highly stylized, featuring bright and stark visuals that convey the vastness and coldness of space. Kubrick’s meticulous attention to visual detail creates an immersive experience that is both awe-inspiring and unsettling.

The dialogue in each film also reflects their distinct tones. BlackKklansman features witty, sharp, and often humorous dialogue that effectively delivers its social commentary. The characters’ exchanges are lively and engaging, drawing the audience into the film’s narrative. In contrast, 2001: A Space Odyssey uses minimalistic and philosophical dialogue. The sparse use of words, coupled with long stretches of silence, reinforces the film’s meditative and contemplative pace.

Soundtrack and Narrative Style

The soundtracks further distinguish the two films. BlackKklansman incorporates a mix of period-specific music and dramatic scores that heighten the emotional impact of key scenes. The soundtrack plays a vital role in grounding the film in its historical context while also amplifying its satirical tone. In 2001: A Space Odyssey, the classical music score is iconic, adding to the film’s epic and timeless quality. The use of classical music, rather than a traditional score, contributes to the film’s grand and contemplative atmosphere.

In terms of narrative style, BlackKklansman follows a more straightforward, linear narrative. The film tells its story in a way that is accessible and engaging, while also incorporating moments that link past and present issues. This approach allows the film to maintain a clear focus on its social message. Conversely, 2001: A Space Odyssey employs a non-linear storytelling technique, using visual sequences that require the viewer to interpret the connections between them. This abstract narrative style creates an open-ended experience, inviting viewers to draw their own conclusions about the film’s themes.

Themes and Relevance

The themes explored in these films also highlight their relevance to modern audiences. BlackKklansman delves into issues of racism, identity, and activism—topics that remain highly pertinent today. The film’s examination of these themes through a historical lens encourages viewers to reflect on the continuing struggle for racial equality. 2001: A Space Odyssey addresses themes of human evolution, the impact of technology, and existentialism. These universal questions about humanity’s future and our place in the cosmos ensure that the film remains relevant, even decades after its release.

In summary, BlackKklansman and 2001: A Space Odyssey offer distinct yet powerful cinematic experiences. Through their unique tones, visual styles, and narrative techniques, both films provide deep reflections on society and human nature. Despite their differences in genre and approach, both films hold up over time. Although BlackKklansman is only six years old, it gives the feeling of being both decades old as well as a new blockbuster.